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Phil Keaggy
Sean Watkins
w/ Nickel Creek
Performing Songwriter
June 2002
Acoustic Guitar
September 2001
Guitarist Magazine
September 2001
Christian Musician
March/April 2002
Tom Anderson
Guitar Maker
Rick Rubin
Dutch's Music
Eddie Bush
Cfox endorser
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"I was given the opportunity to test out
the L.R. Baggs iBeam acoustic guitar amplification
system in a studio context. The iBeam that was installed
in the acoustic I played was also miked by a couple
of Neumanns. We did an A-B test and I found the
iBeam results were favorable to my ear. The sound
had body and was clean and crisp without sounding
thin in the least. This system would work well in
a concert setting and be a fantastic recording asset
in any studio context."
" L.R. Baggs has always been an innovator in
the arena of acoustic guitar pickup and mic systems,
and this is a grand step toward perfecting the expanded/amplified
natural sound of the acoustic guitar."
"When performing I totally forget I'm
using a pickup because the sound is so round and
natural."
"The biggest compliment we can give
it is that it sounds exactly like the guitar you
put it into..."
"The iBeam proved to be a very sensitive
pickup that was highly responsive to every part
of the guitar."
"You can have all the fancy control
preamps in the world, but they'll never make a piezo
pickup sound as natural and open as this iBeam."
"When I'm playing through this setup,
I feel like I'm in acoustic guitar heaven!"
"I'm used to playing acoustic guitar
with a pickup and a microphone. The thing that impressed
me most about the iBeam is that it had the best
qualities of a microphone and pickup without the
negative qualities of either. The feel is spectacular
and it responded just like the guitar. It's so unusual
to get what you play but it's like sitting in the
perfect room playing the perfect guitar."
"The tone of the iBeam is unbelievable,
or more appropriately, totally believable. Transparent,
acoustic, balanced, very true to the guitar."
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